Ignazio Silone's Novel in the View of Life

This allusion to belonging to something and not openhanded up or letting go is central to Spina's convictions around mankindity.

Spina is soon get byn ill and is forced to flee to Pietrasecca, a small mountain village in the Abruzzi district. Here, he takes on the guise of a priest called Don Paolo. Silone centers the major portion of his novel on the people and governmental attitudes in the Abruzzi. The strain of the times is seen through Spina and the other characters. Everyone is accommodating the Mussolini universe, exactly altogether Spina is heroic. The others be caught up in the confrontation between political ideals. Petty conversations are repeatedly witnessed regarding a person's political billet and how those convictions make that person either a uncorrupted or bad Italian patriot. There are those who see the stiffness of the regime but go along with it because of ambition, fear, or both--like the doctor who first treats Spina but is terrified of any involvement with him or like Zabaglia, a once-great socialist orator who now expediently praises the Fascists.

Through subtle scenes of conversation between characters, groups of people are seen within the framework of political instability. One of these groups consists of intellectuals who passively recall to cooperate but still fall short of right away rebellion. Don Benedetto is a prime example of an intellectual who started the reason with Spina but who resigned himself to blend in w

This idea of early days and their ideals is eloquently discussed by Spina and Don Luigi. Spina is the digest of a youth who is faithful to youthful ideals. However, Don Luigi insists that this human body of attitude "would be the end of the world" (156) because it is natural for youth to look for bread and wine somewhere else, besides home. at once again the reference to food and drink is seen. Don Luigi bring forward explains that food is elsewhere but that adults cannot spend their whole lives "at the inns" (157). Don Luigi is saying that adults must forgo youthful dedication, ideals and beliefs since they are only temporary. Also, readers see that these characters view the essential philosophical aspects of action with lightheartedness.

Even adults' convictions are not taken seriously since they are only "temporary." Clearly, adults are not given credit for retentivity to their beliefs in this life.

By the end, Spina is changed to the extent of his political beliefs, but about important is that he remains steadfast in his snuggle to life and his raw material beliefs in the self and humanity. He has stupefy to the realization that belonging to a particular party or religious group or any social run is only secondary to one's essence as a human being. None of the various groups in the novel ever come up to understand one another, but Silone sees this as one of the basic problems with society. There is an inability to comprehend, to look only at the labels much(prenominal) as Fascist, Communist, Socialist, Priest, or revolutionary.

ith the furniture. These people do not take anything seriously, so they have the ability to flow with change whether it is good or bad. Zabaglia says, "Taking theories literally, that's where the trouble starts" (Silone 155). In essence, nothing matters but survival.

Silone chooses to have the story told from many points of view in request to give the reader a broader scope of the many "types" which follow in any society. At times, the language is amusing,
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