Monday, November 5, 2012

The MacManus Quest

As Connor tells him, "You look exchangeable Mush-mouth from Fat Albert" (Duffy, 1999). Throughout the film Christian images and symbols and communicative chat plays a major role in expressing the motives of the characters as surface as the central theme of the film that violence is common in American society and Americans are becoming feed up with living in such a terrorization and brutal reality.

There are two primary keywords touch on in the summary of Boondock Saints. The first of these is social dialogue. Bochner (1989 in Knapp, & Daly, 2002, p. 9) maintains that interpersonal talk involves "?at least two interpersonal communicators; advisedly orienting towards each other; as both depicted object and object; whose actions embody each other's perspective both toward ego and toward other." Another definition provided for interpersonal communications stems from Capella (1987 in Knapp, & Daly, 2002, p. 9), who maintains "If interpersonal communication has any essential feature, it is that persons influence matchless some other's behavior over and above that attributed to normal baselines of actions."

Within the pattern of interpersonal communication is another keyword used in this analysis of Boondock Saints, signed communication. Edward Sapir


(1949 in Knapp and Daly, 2002, p. 240) suggests of sign(a) communication, "We respond to gestures with an extreme alertness, and one might excessively say, in accordance with an elaborate and secret code that is written nowhere, know to none, and understood by all." In contrast to this definition of the concept, Phyllis Bo-Yuen (2000, pp. 7-8) maintains that nonverbal communication is an elaborate systems of negotiation between communicators that involves "orientations, such as face-to-face or side-by-side; behave, such as tough, soft, or so-so(p); physical arrangements; time; billet; gaze; head nods; gestures; facial nerve expressions; and eye contact." This analysis will discuss a fig of nonverbal communications employed between the characters in troy weight Duffy's film Boondock Saints.

Duffy, T. (Director). (1999).
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Boondock Saints, (Film). USA: 110 min.

Posturing is another nonverbal signal. We see quite a deal of posturing in the film from the macho poses and postures of gangsters and the brothers when they become angry to the effeminate and swishing posturing of Smecker who is a flamboyant homosexual. We also see nonverbal communication between Smecker and one of the men, HoJo, that he sleeps with. At one establish we see that HoJo tries to close the distance between he and Smecker, another nonverbal signal. At this point Smecker becomes offended, showing that personal space and distance can undermine the boundaries of interpersonal communication. Smecker asks HoJo what he is act to do by this gesture and HoJo replies, "I just cute to cuddle," to which Smecker replies, "Cuddle? What a fag" (Duffy, 1999). Smecker has already slapped HoJo for this nonverbal communication that he finds offensive. This shows that while nonverbal communication can arrest intimacy in interpersonal communication it can also distance the communicators from intimacy.

In Boondock Saints, there are numerous instances of interpersonal communication that involve nonverbal
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