“Do you believe in fate Neo,”

Do you believe in fate modern, Morpheus asks. No, neo responds. wherefore non? Because I f completely apartt standardised the base that Im not in maintain of my manner, Neo explains. In this scene (from the blockbuster smash come to The Matrix) a fit drive place be force between Neo and galacticger Thomas (the protagonist in Richard Wrights overbold Native Son) because bigger sh bes Neos recoverings about fate. big Thomas, a boy who has grown up with the chains of etiolate society holding him back from opportunity, has exactly one source to escape from the white w alls which argon closing in on him. His solution is to erase deuce women (one of whom is the daughter of a abounding white family) to de failrnstrate that he is fed up with his spiritedness being go for conditionled by fate. The reason does an exceptional product line in creating a field that illustrates how racism takes a course the self- reassure of the loaded, thusly leaving their lives in the work force of fate. The theme that racism doesnt forego the oppressed to control their lives cornerstone be demo through the symbolism of the rat, the poster extraneous of outstandingrs apartment, and larges encounter with the clump in jail.         To bigs chagrin he is not in control of his life. His life is dictated by a large kind of white peoples false belief of superiority. With all cause there is an effect, and the effect that this burden has on large turns him into an animal, living for moreover one thing, survival. There he is again, larger! the char muliebrity screamed, and the tiny, one-room apartment galvanized into violent action. A chair toppled as the woman, half dressed in her stocking feet, scrambled breathlessly upon the cognize. Her both sons, barefoot, stood tense and motionless, their eyes searching anxiously under the recognise and chairs. The girl ran into the corner, half stooped and gathered the hem of h e slip into both of her hands and held it ti! ghtly over her knees A coarse dingy rat squealed and leaped at bigs trouser-leg and snagged it in his teeth hanging on larger aimed and allow the skil permit flee with a heavy grunt. There was a shattering of wood as the box caved in The woman screamed and hid her face in her hands. large tiptoed forward and peered. I got im, he muttered [.] (4-6) At first glance this quote could seem meaningless, notwithstanding when later the reader learns in the book that a parallel dissolve be drawn between the big sable rat and the big black big. Like the rat, bigger is not wanted in his environment, any of his actions are obsolete because it is his rush to be the scum of the earth. Not for any other driving than the white people nurture taken control of larges life. They dictate what he can and cant do, leaving his life no longer in his hands, just the hands of fate. On all fours he scrambled to the beside ledge then turned and looked back (264). He move to t ravel (265). biggers lips pulled back, demo his white teeth (336). all told these excerpts are the authors way of illustrating to reader that bigger and the rat are closely related. large, who is standardised the rat, can only run and hide so much in the source hes detain and assumes a skillet to the head. large though is in essence already pin down, not by any king of physical barrier, but by the hate of the whites. Biggers, like the rats, destiny is to be trapped and killed which is well demonstrated through symbolism.         Another factor that would run away the reader to believe that racism does not leave the lives of the oppressed in their hands is fewthing Bigger sees everyday of his life. They were pasting a Brobdingnagian sorry poster to a sign board. The poster showed a white face. Thats Buckley! He [Bigger] spoke softly to himself in a higher place the top of the poster were pompous red letters: YOU stoolT WIN! (13). This demonstr ates what Bigger is up against. Seeing this white fa! ce everyday secure him that he cant win, is a reminder to Bigger that his life is in the control of the people who hate him and because of that he cant win. Bigger has no opportunity to flap in this rich nation. I could fly a both-dimensional if I had a chance, Bigger said. If you wasnt black and if you had some money and if theyd let you go to that aviation school, you could fly a plane, Gus said (17). It is Biggers fate to be a failure. Like Gus said, Bigger has all these things against him, such as race and income, that he cant control. These coincidences cant be ignored and can be only be explained as fate. For a resolution Bigger contemplated all the ifs that Gus had mentioned (17).

If Bigger was white, all of the ifs would be irrelevant. If Bigger was white, the sky would be the limit. He could do or contract just about whatsoever he wanted and he would be in control of his life. The only way Bigger could take control was to kill two women, and as a result he lose his life.         Even if Bigger would start out gone to college and gotten an instruction it is his destiny to end up to the way he did. He [a black man brought into Biggers cell] went off his starter from studying too much at the university. He was musical composition a book on how colorise people live and he says somebody stole all the facts he found. He says he got to the bottom of why colored folks are treated bad and hes going to testify the President and throw away things changed, see? (343) The author demonstrates that the oppressed, whether they took the low thoroughfare (Bigger) or the high road (the nut) end up in the same place. The oppressed dont have control of their lives and the author prove! s it by showing how fate brought these two polar opposites together. I was trying do something else. But it seems like I never could. I was eer wanting something and I was feeling that nobody would let me have it (425). Bigger expresses that a different force drove him, something do him do the things he did and that is fate. It was just made to be that he would end up dead for the women he killed. He had lived outside of the lives of men. Their modes of communication, their symbols and images, had been denied him (422). Bigger doesnt understand the hate, communication, and expressions of the whites. So, as a result he is hale to just float through life being soupcon by only one thing, fate.         The lives of the oppressed were not in their hands, but the hands of fate. The author does a fine job of expressing this through the use of concrete images. He depicts the life of a boy whose life was planned out before he was born and in retaliation he kil ls. I feel the author is letting the people of this alleged(prenominal) free country go to bed that our hate kills more than the hands of a murderer. If you want to get a full essay, dedicate it on our website: OrderEssay.net

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