The creator makes his effort to create a general depressive disorder of Oxford upon the readers, rather than present accurate detailed facts.
The first paragraph, the germ mentions some examples of commendable things which are either natural or spiritual. In the authors look, the Oxford is one of the most praiseworthy things but seldom. The aim of mentioning these things is that the author wants to praise the cityâ€"Oxford.
The twinkling paragraph, the author describes the whole peach tree of Oxford instead of focusing on the p impostureicular buildings. He uses a metaphor to chat the beauty of Oxford: bewildered and intoxicated with beauty. Such a metaphor as feeling as a poor man magnate who has pinched all life, and made the most of single coins, and who is brought into the social movement of a heap of piled-up gold, and told that it is all his own enchants the readers with a maven of the blurring impression of the beauty of Oxford.
The third paragraph, the author begins to describe the airwave created by the buildings in Oxford. The author uses two misfortune to express his attitude: although their outline is so exquisitely blurred by time and decay, the men should not restore or reconstruct the buildings. If they really do it, they may destroy the beauty of art and time.
The author also uses the contrast method to tell the readers the metamorphose of his feeling of the buildings by the contrast of which his is a child and his is an adult. At this time, the feeling of these building is a kind of beauty that fills the mind with an almost despairing sense of loveliness, till the heart aches with gratitude.
The forrader paragraph, the author describes the beauty caused by the blackness of the buildings through contrast. The dreary and smoke-stained courts compared with the sunny pleasaunce, etc. These contrasts create the harmonious atmosphere and confer the essence of so much beauty depends.
The fifth paragraph, the author uses the compassion...If you want to get a full essay, order it on our website: Orderessay
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