Friday, February 1, 2013

Air On g String Description

Air on the G string is the second movement of rooms no. 3 written by Johann Sebastian bachelor. Bach was born in 1685 and orphaned by the age of 10. From there, he went to lve with his brother, J.C. Bach, and learned how to pay the organ. Bach then received a scholarship to St. Michaels school in Lüneberg where he studied medicinal drug alongside many other subjects. His outgrowth job in medication was organist at a perform in Arnstadt, Germany.
In 1717, Bach was offered a job at the court of Prince Leopold of Anhalt-Cöthen, located about 30 miles northwest of Leipzig, Germany. When he changed jobs, Bach also changed the style of his music from organ music that was typically made for churches to music he thought the prince would enjoy. The music became sort of a chamber style, since the Prince himself played in a chamber group.
Writers are not completely sure when the Suite No. 3 was written. Estimates range from 1722 to 1731, but many remember they were written closer to 1722. This entourage, part of a series of quatern overtures (as Bach called them) represent experimenting by Bach, since they resemble a French style music used by Italian-born composer Jean-Baptiste Lully. Suite No. 3, which contains Air on a G string, is the some popular of all the overtures.
The Air on a G String is the brief second movement of this suite.

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Although the full suite includes trumpets, oboe, and tympani as well as the strings and a bass line usually played on harpsichord and cello, this movement is reduced to the string orchestra only. The movement begins with a long, Sapphic opening that transitions smoothly to phrases in which the violin and the viola leave with the melody. The piece also includes ornamentation and exaggerated dynamics parkland to Baroque style music.
As the music is played, listen closely for the suspensions common throughout the movement. They provide the harmonic tension that gives the auditor a light feeling, connecting the piece to its title.

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